Mozart in Vienna 1

In 1781 Mozart visited Vienna in the company of his employer, the harsh Prince-Archbishop Colloredo, and soon fell out with him. According to Mozart's own testimony, he was dismissed – literally – "with a kick in the seat of the pants." Mozart chose to settle and develop his career in Vienna after its aristocracy began to take an interest in him.

On August 4, 1782, against his father's wishes, he married Constanze Weber (1762–1842; her name is also spelled "Costanze"); her father was a half-brother of Carl Maria von Weber's father Fridolin Weber. Although they had seven children, only two survived infancy. Neither of these two, Karl Thomas (1784–1858) and Franz Xaver Wolfgang (1791–1844; later a minor composer himself), married or had children.

The year 1782 was an auspicious one for Mozart's career: his opera Die Entführung aus dem Serail ("The Abduction from the Seraglio") was a great success and he began a series of concerts at which he premiered his own piano concertos as director of the ensemble and soloist.

During 1782–83, Mozart became closely acquainted with the work of J.S. Bach and G.F. Handel as a result of the influence of Baron Gottfried van Swieten, who owned many manuscripts of works by the Baroque masters. Mozart's study of these works led first to a number of works imitating Baroque style and later had a powerful influence on his own personal musical language, for example the fugal passages in Die Zauberflöte ("The Magic Flute") and in the Symphony No. 41.

In 1783, Wolfgang and Constanze visited Leopold in Salzburg, but the visit was not a success, as his father did not open his heart to Constanze. However, the visit sparked the composition of one of Mozart's great liturgical pieces, the Mass in C Minor, which, though not completed, was premiered in Salzburg, and is now one of his best-known works. Wolfgang featured Constanze as the lead female solo voice at the premiere of the work, hoping to endear her to his father's affection.

In his early Vienna years, Mozart met Joseph Haydn and the two composers became friends. When Haydn visited Vienna, they sometimes played in an impromptu string quartet. Mozart's six quartets dedicated to Haydn date from 1782–85, and are often judged to be his response to Haydn's Opus 33 set from 1781. Haydn was soon in awe of Mozart, and when he first heard the last three of Mozart's series he told Leopold, "Before God and as an honest man I tell you that your son is the greatest composer known to me either in person or by name. He has taste, and what is more, the most profound knowledge of composition."

During the years 1782–1785, Mozart put on a series of concerts in which he appeared as soloist in his piano concertos, widely considered among his greatest works. These concerts were financially successful. After 1785 Mozart performed far less and wrote only a few concertos. Maynard Solomon conjectures that he may have suffered from hand injuries; another possibility is that the fickle public ceased to attend the concerts in the same numbers.

Mozart was influenced by the ideas of the eighteenth century European Enlightenment as an adult, and became a Freemason (1784). His lodge was a specifically Catholic, rather than a deistic one, and he worked fervently and successfully to convert his father before the latter's death in 1787. His last opera, Die Zauberflöte, includes Masonic themes and allegory. He was in the same Masonic Lodge as Haydn.

Mozart's life was occasionally fraught with financial difficulty. Though the extent of this difficulty has often been romanticized and exaggerated, he nonetheless did resort to borrowing money from close friends, some debts remaining unpaid even to his death. During the years 1784-1787 he lived in a lavish, seven-room apartment, which may be visited today at Domgasse 5, behind St Stephen's Cathedral; it was here, in 1787, that Mozart composed the opera Le nozze di Figaro.

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